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The story of how Lindsey Buckingham and Stevie.

Though individual tracks do stand out-McVie's "Over & Over," "Never Make Me Cry," "Sara," "Storms," and "Beautiful Child," "Buckingham's "Walk a Thin Line" and "Tusk"-the album is best experienced as a long, flowing whole, moods emerging, harmonies shifting, and odd sound experiments percolating underneath the smooth professional sheen. Fleetwood Mac existed for nearly a decade prior to the release of Fleetwood Mac in 1975 but not in a manner that modern audiences would recognize. Buckingham took on much of the production himself, recording at home and in the personally modified Village Recorder studio in West Los Angeles, until he fashioned an album both quirky and accessible, as much a part of the '70s rock elite establishment as informed by the funkier experiments of the emerging punk and new wave. 46 East, Suite B01 Mountain Lakes, NJ 07046 USA License BW0445000 Mobile: 97 Fax: 97. It's an expansive, 20-track collection that allows each of the three songwriters-Lindsey Buckingham, Christine McVie, and Stevie Nicks-to stretch their musical vocabulary with the very best sonics that money could buy. Fleetwood Mac decided to follow up the career-defining, best-selling Rumours with an album that would not compromise their integrity or seem like a quick rehash of their proven FM-radio-friendly formula. On 1977’s Rumours, Fleetwood Mac dressed up the bitterest break-up songs in the smoothest, sultriest arrangements to the tune of over 40 million copies sold the album’s appeal is so universal that it’s been both cited by Courtney Love as an influence and used to soundtrack Bill Clinton’s presidential campaign.